Thanks for stopping by and, as always, keep stitching.
Thanks for stopping by and, as always, keep stitching.
Pattern is Steam Punk by Jen Kingwell, and it was both hand and machine pieced. The fabric choices are so lovely in this and the white sashing really frames all the colors and makes for a fresh look.
This scrappy green and white top has been created using the "bonus" blocks from a previous project. I get to do "whatever" on these and it gives me a chance to play. I love how this one turned out.
Here is the back. I've had several requests for this freehand all over motif since posting it on FB/IG One of my customers has named it Kansas Winds.
This hand pieced quilt is the Brimfield Star pattern. Bright colors layered on navy grunge make for a vibrant quilt.
The blocks for this quilt were pieced during my quarantine in Sept 2020 The pattern for this house block is from the October 2020 issue of American Patchwork and Quilting. My initial idea was to make all the blocks in different colors, and after making a test block in blue, my fabric pull quickly turned into a stack of gorgeous browns and creams.
Some things got a little mixed up in the construction of the blocks and it seemed that I either didn't catch it, or didn't think it was worthy of a seam ripper.
When the siding went on the materials got a bit mixed up as well. Being all browns, I guess it was a bit much to keep all the prints separated. Or becausse I was in quarantine and some things seemed to have lost their importance.
Years ago I saw a house pattern with stars as the setting post. I've had a photo kick around my studio for years, the houses were black and white, and the stars were red. It was very striking. My first house quilt had no corner posts and here was my chance to put the stars in the sashing. And yet, I ended up with a 9 patch. It would have been faster to strip piece these blocks, but they wouldn't have the scrappy charm that you get when you sew one square at a time.
Here is the pattern from the APQ issue. Stars and scrappy houses and all, and yet, my top ended up brown. With a blue house on the corner. My first house was a blue house on the corner. So when I put the top together, I kept that test block and added a little touch of blue in the 9 patches.
The top is complete, I've done my scant 1/8" stay stitch all around the perimeter. That stay stitching will keep the edges from stretching out, AND it will keep my seams from popping open when it gets loaded and stretched on the longarm frame.
The name of this pattern is perfect for these times. We have gone from going 90 mph to the mindset of "I'll make do" to "I can't wait to get out and do things again". Pattern/workshop is from Sarah Bond, who can be found on IG under #slbphilly and she's also on FB HERE. The pattern is called Going Full Circle and it was offered as a workshop through the PNW Quilt and Fiber Museum in LaConner, WA
If you ever get a chance to take a workshop, either virtual or in person with Sarah, definitely grab a seat. Her patterns are not available for sale..........yet. She has some great classes, check her out.
Here you can see all three patterns. Two are foundation paper pieced, aka FPP, and the swirling 2 section block was machine pieced with no paper. I love each of them and I think a whole quilt out of one block repeated would be fantastic. Sarah has several quilts that show very different prints and they are delightful and worth checking out on her social media sites.
Close ups of other print/color combinations. Blocks are about 15" each so the top will finish at approximately 75" x 75"
This is a tricky block. Not in the sewing or cutting, but in keeping your strips organized. I mixed them up a couple of times, and I continued to confuse myself. The end result was worth the effort.
These dots make you check your eyes, but they were too fun to pass up.
Details on making this.
The workshop was the beginning of October 2019. We made one of each block during our class time, and Sarah has SO many fabric combinations to share with us.
This piece is primarily FPP and that makes things easy to pick up and put down. I did a lot of cutting in advance, and then made blocks. I looked at what I had and that drove my next color combination selections.
Sarah is very "free wheeling" with her FPP method and I found it very liberating. I only worked on this at my secondary studio, aka The Shop. I have an old machine there that just sews a straight stitch, and having a project that can easily be left for over a month at a time was perfect for this new space.
I sewed the "shoulders" on as directed, but I did trim them down to bring the circles a bit closer together. There are two sizes of shoulders and I went with the bigger size and trimmed. This gave me some leeway on my not so awesome machine. \
There will be no borders on this and the binding will be the background fabric.
I hope this piece makes you smile as it certainly makes me happy...... and it's a finished top! Whoohoo to that.
It's coming on the first of November, the month where we celebrate Thanksgiving. Through all these trying times, this might be a good time to reflect back on 2020 and look for the things that we can be thankful/grateful for. Make a few notes so as we move into the shorter and colder days, we can look at those notes when we need a little lift. Or go online and look at pretty quilts. I had to refold and go through my quilts and thought I'd just share a few of my favorites.
Hand quilted pre-printed panel
This is all about the border fabric. American Jane prints and I was obsessed. I made this start to finish in a very short time as I worked exclusively on this once I started.
An oldie that has languished. This is hand appliqued, marked, and basted. The center feathered wreath has been quilted and ripped out, along with some outline quilting. I've regrouped on my quilting ideas and it is sitting out so it gets into my queue.
This whole quilt has been made with left over blocks and scraps. Even the batting was cobbled together from leftover pieces. The fabric for the sashing and binding was cut from pieces in my fabric bin but one of them was the last remaining piece of wide backed fabric from my first bolt that I bought in 2005 when I got my longarm. The back was fabric I've had since about 2009 and the bolt was finished once I made this back. And to be completely honest, the bobbin thread was lots of different cream/white last bits on bobbins that kick around a longarm quilters studio.
Credit to ModaLissa as she posted a quilt on her IG that was my inspiration!
What I started with. A bag of 1/2 sq triangles that were off cuts from quilts made from Bonnie Hunters Pineapple Blossom pattern that is free on her website. I had hundreds of red and blue ones and all had been pressed and trimmed to 2 1/2"
Working out ideas on the design wall. The 4 patches in the corners were from a stack of assorted cream 3 1/2" squares that are also used in the Pineapple quilt. A 4 patch of them made for a perfect 6" corner.
Pondering ideas for the center of the blocks. Notice the pinwheel center didn't make the cut.
This pre quilted photo shows the border on both sides. I didn't have enough 1/2 squares to make a top and bottom border and I was also trying to stretch it a bit wider. After getting the sides on, I threw away a handful of 1/2 squares that were left over. Yes, I truly USED up all that I had in the bag.
The binding was hand stitched while I was in my isewlation in BC. I traveled there to see my family and literally packed up my sewing room and took it with me. Trust me, 14 days isolation is a VERY long time when you are healthy and not recovering from anything.
I went to town with feathers on this one. I haven't had a customer request for feathered wreaths in a long while, so I thought I'd keep my skills sharp and load up on this one.
The end result makes me smile. A true scrap quilt. And do you see the mistake? I did, but I certainly wasn't going to get out the seam ripper for that! One more bag out of the closet and another quilt finished for a future trunk show. Now to figure out what to do with the green and brown bags of these off cuts that are hanging out in my studio closet. A tree styled block?
Are you getting any UFO's out of the closet and finishing them? I hope so. Get them finished and if you don't still 'love' them, they just might make a perfect donation quilt. Winter is coming!